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WINSTON=SALEM 

MU^IG  FE^TIVAL^ 

MAY  22,  23,  25, 1908 


CONDUCTORS: 

Messrs.  H.  A.  SHIRLEY  and  E.  H.  STORER 


Digitized  by  the  Internet  Archive 
in  2020  with  funding  from 
University  of  North  Carolina  at  Chapel  Hill 


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https://archive.org/details/programswinstonsOOwins 


WINSTON=SALEM  MUSIC  FESTIVAL 


THE  ORCHESTRA. 


First  Violins. 

Miss  Helen  Brown,  Messrs.  Robert  Roy,  W.  P,  Ormsby, 
George  Woodroffe. 

Second  Violins. 

Misses  Mary  Howe,  Dicie  Howell,  Messrs.  James  Kapp,  Wm.  Wright. 

Viola. 

Mr.  Bernard  Wurreschke. 

’Celli. 

Mr.  Walter  Brown,  Dr.  Charles  A.  Turner. 

Double  Bass. 

Mr.  B.  J.  Pfohl. 

Flutes. 

Mr.  Conrad  Lahser,  Mr.  Walter  J.  Hege. 

Clarinets. 

Mr.  W.  J.  Peterson,  Mr.  Douglas  Rights. 

French  Horns. 

Mr.  Reginald  Clewell,  Mr.  Littleton  Roberts. 

Cornets. 

Mr.  James  E.  Peterson,  Mr.  John  D.  Stockton. 

Trombones. 

Mr.  Clark  Starbuck,  Mr.  Clarence  Ledtord,  Mr.  Harry  F.  Mickey. 


Tympani. 

Great  Drum, 

Miss  Lillian  Johnson. 

Mr.  Robert  Ormsby. 

Triangle. 

Pianist. 

Miss  Harriet  Greider. 

Miss  Rosa  Deane. 

Organist. 

Miss  Ivy  Nicewonger. 


The  Piano  E  loajiod  by  Charles  M.  Stieff,  Balhniot  e.,  AH. 


4 


MEMBERS  OF-  THE  CHOR  US. 


Mrs.  E.  G.  Couch, 

“  H.  E.  Fries, 

“  A.  H.  Holland. 

“  J.J.Mock, 

“  Charles  Norfleet, 
“  Elma  Pfohl, 

“  William  Spaugh, 
“  E.  C.  Stempel. 

“  F.  W.  Stockton, 
Miss  Louise  Bahnson, 
“  Ruth  Brinkley, 

“  Fannie  Brooke, 

“  Lucy  Brown, 


Mrs.  G.  A.  Boozer, 

“  H.  S.  Crist, 

“  W.  J.  Hege^ 

“  W.  J.  Peterson, 

“  Mary  C.  Prather, 

“  Mary  Price, 

“  R.  A.  Spaugh, 

“  B.  J.  Wurreschke. 

Miss  Pearl  Barrier, 


Mr.  E.  G.  Couch, 

“  C.  E.  Crist, 

“  C.  F.  Crist, 

“  J.  R.  Hankins, 


Sopranos. 

Miss  Marie  Burt, 

“  Bessie  Crist, 

“  Louise  Crist, 

“  Dorothy  Doe, 

“  Adeline  Emmert, 
“  Mamie  Kulp, 

“  Ruth  Grosch, 

*’  Louie  Grunert, 

“  Mary  Heitman, 

“  Helen  Jones, 

“  Laurie  Jones, 

“  Sallie  Jones, 

‘‘  Treva  Jones, 

Alios. 


Tenors. 

Mr.  Amos  Huls, 

“  A.  Lichtenthaeler, 
“  A.  J.  Slack, 


Miss  Bertha  Leinbach, 

“  Mary  Medearis, 

‘‘  Ellen  Norfleet, 

“  Elizabeth  Ormsby, 
“  Ethel  Pullan, 

”  Missie  Shepard, 

“  Daisy  Spaugh, 

“  Florence  Stockton, 
“  Marguerite  Tay, 

“  Winnie  Warlick, 
Alma  Whitlock, 

“  Evelyn  Wood, 


Mr.  F.  W.  Stockton, 
“  Horace  Vance, 
“  F.  H.  Vogler, 


Rev.  E.  C.  Stempel, 
Mr.  C.  W.  Thaeler, 


Basses. 

Mr.  F.  F.  Bahnson,  Rev.  J.  A.  Hopkins, 
“  L.  B.  Brickenstein,  Dr.  P.  E,  Horton, 
E.  A.  Ebert, 


Miss  Rena  Brown, 


Miss  Pearl  Medearis, 


“  Anna  Buxton,  “ 

“  Mary  Crowell,  “ 

“  Lura  Garner,  “ 

“  Ruth  Gosling, 

“  Joanna  Gifford,  “ 

“  Sallie  Griffith,  “ 

*■  Constance  Hamilton  “ 

“  Cynthia  Jones, 


Emma  Ormsby, 
Hattie  Reichard, 
Saidee  Robbins, 
Marjorie  Roth, 
Vernessa  Smith, 
Bertie  Tise. 
Nellie  Ware, 
Mary  Zenor. 


5 


FIRST  CONCERT. 

FRIDAY  EVENING,  MAY  22,  1908.  8  P.  M. 

Gallia.  Cantata  for  Solo,  Chorus  and  Orchestra . Gounod 

Miss  Antoinette  Glenn,  Soprano. 

Songs,  a,  ‘  ‘  Sing  Me  a  Song  of  a  Lad  That’ s  Gone  ’  ’  Chas.  Buryiham 

b.  ‘ ‘  Cato’s  Advice  ” . Bruno  Huhn 

c.  ‘  ‘  The  Pretty  Creature  ” . Old  English 

Mr.  Frederic  Martin. 

Violin  Solo.  Faust  Fantaisie . Sarasate 

Mr.  Robert  Roy. 

Salamaleikum.  Solo,  Chorus  and  Orchestra . Cornelhis 

Mr.  Martin. 


Songs,  a.  “  The  Lovely  Month  of  May” . Hainmo7id 

b.  “Dearie.”  (Scotch)  . Oelimler 

c.  ‘  ‘  Proposal  ”  . . . . Hastmgs 

Miss  Glenn. 

Second  Concerto  for  Pianoforte  in  D  Minor.  Op.  23 . .  .  MacDowell 

Mr.  H.  A.  Shirley. 

Songs,  a.  “  “  Der  Doppelgaenger  ” . Franz  Schubert 

b.  “  Embarquez-vous  ” . Benj.  Godard 

€.  ‘  ‘  The  Sea  ” . .  •  •  Edward  MacDowell 

d.  “  Song  of  the  Sturdy  North  ” . Edward  German 

Mr.  Martin, 

Orchestra.  Notturno  and  Wedding  March.  From  Music  to 

“  Midsummer  Night’s  Dream  ” . Mendelssohn 


0 


SECOND  CONCERT. 

SATURDAY  EVENING,  MAY  23,  1908.  8  P.  M. 

“THE  MESSIAH” 

BY 

GEORGE  FREDERICK  HANDEL 


Mr.  Eugene  H.  Stoker,  Conductor. 
Miss  Rosa  Deane,  Accompanist. 
Miss  Ivy  Nicewonger,  Organist. 


Soprano,  Mrs.  Grace  Bonner  Williams. 

Alto,  Mrs.  Walter  J.  Hege. 

Tenor,  Mr.  John  Young. 

Bass,  Mr.  Frederic  Martin, 


Festival  Chorus.  Salem  Orchestra. 

The  Trumpet  Solo  by  Mr.  James  E.  Peterson. 


PART  I 

Overture — Grave. 

Recitative— Comfort  ye  My  people. 

Air — Every  valley  shall  be  exalted. 

Chorus — And  the  glory  of  the  Lord 

Recitative — Thus  saith  the  Lord. 

Recitative  —  Behold  a  virgin  shall 
conceive. 

Air  and  Chorus — O  thou  that  tellest 
good  tidings  to  Zion 

Recitative  —  For  behold,  darkness 
shall  cover  the  earth. 

Air — The  people  that  walked  in  dark¬ 
ness. 

Chorus — For  unto  us  a  child  is  born. 

Pastoral  Symphony. 

Recitative — There  were  shepherds 
abiding  in  the  field. 

Recitative — And  the  angel  said  unto 
them. 

Recitative — And  suddenly  there  was 
with  the  angel. 

Chorus — Glory  to  God. 

Air — Rejoice  greatly,  O  daughter  of 
Zion. 

Recitative — Then  shall  the  eyes  of 
the  blind  be  opened. 

Air — He  shall  feed  his  flock. 

Air — Come  unto  Him. 

Quartet  &  Chorus — His  yoke  is  easy. 


PART  II 

Chorus— Behold  the  Lamb  of  God. 

Air— He  was  despised. 

Chorus — Surely  He  hath  borne  our 
griefs. 

Chorus — All  we  like  sheep  have  gone 
astray. 

Recitative— Thy  rebuke  hath  broken 
His  heart. 

'Air— Behold  and  see  if  there  be  any 
sorrow. 

Recitative— ^He  was  cut  off. 

Chorus — Lift  up  your  heads,  O  ye 
gates. 

Air  — How  beautiful  are  the  feet. 

Air — Why  do  the  nations. 

Recitative  —  He  that  dwelleth  in 
heaven. 

Air — Thou  shall  break  them. 

Chorus— Hallelujah . 


PART  III 

Air  —  I  know  that  my  Redeemer 
liveth. 

Recitative -- Behold,  I  tell  you  a 
mystery. 

Air — The  trumpet  shall  sound. 
Chorus  — Worthy  is  the  Lamb. 
Cho.''us— Blessing  and  honor. 
Chorus.— Amen. 


7 


THIRD  CONCERT. 

MONDAY  EVENING,  MAY  25,  1908.  8  P.  M. 


.  Organ  Solo.  Overture  to  “  William  Tell” . Rosshii 

Andante.  Allegro  (the  Storm.)  Andante.  (The  Shepherd’s  Pipe.) 

Allegro  Vivace. 

Mr.  Shirley. 

Duet  and  Terzet  from  First  Act  of  “  Aida  ” . Verdi 

Mrs.  Williams,  Miss  Cynthia  Jones,  Mr.  Young. 

Organ  Solo.  Spring  Song . Hollins 

Mr.  Shirley. 

* 

Aria.  Ah,  Fors’  E  Lui  from  “Traviata” . . Verdi 

Mrs.  Williams. 

Quintet  and  Finale  to  Third  Act  of  ”  Martha” . Flotow 


Mrs.  Williams,  Miss  Ellen  Norfleet,  Mr.  Young, 
Rev.  J.  Kenneth  Pfohl,  Mr.  L.  B.  Brickenstein. 


First  Orchestral  Suite  from  ”  Peer  Gynt  ” . Grieg 

Morning. 

Ase’s  Death. 

Anitra’s  Daftce. 

In  the  Hall  of  the  Mountain  King 


Songs,  a.  Kashmiri  Song.  From  ‘ ‘  The  Garden  of  Kama,” 

Amy  Woodforde  Findeii 


b.  Phyllis  is  My  Only  Joy .  Whelpley 

c.  Love,  I  have  won  you. . . Fandon  Ronald 


Mr.  Young. 


Quartet  from  “  Rigoletto  ” . Verdi 

Mrs.  Williams,  Mrs.  Gharles  Norfleet,  Mr.  Young, 

Rev.  J.  Kenneth  Pfohl. 

Organ  Solo.  Fantasie  on  Cathedral  Chimes . Harriss 

Miss  Rosa  Deane. 

Sextet  from  ”  Lucia  ” . Donizetti 


Mrs.  Williams,  Miss  Ellen  Norfleet,  Mr.  Young, 
Mr.  Jasper  Dean,  Rev.  J.  K.  Pfohl, 

Mr.  L.  B.  Bkickenstein. 


8 


OUR  VISITING  ARTISTS. 


Mrs.  Grace  Bonner  Williams  is  one  of  New  England's 
younger  sopranos  and  is  deservedly  becoming  one  of  the  most 
popular  concert  singers  of  the  day.  Her  home  is  in  Taunton, 
Mass.,  but  for  some  years  she  has  been  the  soprano  of  the  Arling¬ 
ton  St.  Church  quartet  in  Boston,  which  holds  the  reputation  of 
being  the  best  in  New  England.  This  year  Mrs.  Williams  has 
been  urged  to  go  to  New  York  as  soloist  of  one  of  their  leading 
churches,  but  she  preferred  to  make  no  change.  Mrs.  Williams 
has  a  sweet,  well-trained  voice  which  combined  with  really  artistic 
singing,  charming  manners  and  an  attractive  personality  win  her 
return  engagements  wherever  she  goes. 


Mr.  John  Young,  Tenor,  of  New  York,  who  made  such  a 
pronounced  success  at  the  Festival  last  year,  is  received  with  favor 
wherever  he  appears,  and  is  in  great  demand  throughout  the  coun¬ 
try.  During  the  past  season  he  has  appeared  with  many  of  the 
well-known  organizations  of  this  country,  and  only  this  month  has 
sung  at  Raleigh,  and  at  the  Macon,  Georgia,  Festival.  His  corn¬ 
ing  again  to  Winston-Salem  is  looked  forward  to  with  much  interest 
by  all  who  have  had  the  pleasure  of  hearing  him. 


Mr.  Frederic  Martin,  Bass,  of  New  York,  is  by  many 
consided  to  be  the  finest  exponent  of  the  bass  solos  of  the  “Mes¬ 
siah  “  in  the  country.  He  is  knowm  every whcn-e  as  a  fine  oratorio 
and  recital  singer,  and  the  best  critics  of  the  day  universally  com¬ 
mend  bis  fine  voice  and  thoroughly  artistic  musical  interpretations. 


9 


PROGRAM  NOTES. 


The  “  MESSIAH  ”  was  first  given  in  Dublin,  Ireland,  in  1742, 
and  the  proceeds  of  the  performance  were  devoted  to  charity. 

The  text  was  selected  from  the  Scriptures  by  Charles  Jermens, 
and  is  divided  into  three  parts' : 

Part  I — The  Prophecies  and  Their  Fulfillment, 

Part  2 — The  Passion  and  the  Triumph. 

Part  3 — The  Resurrection  and  the  Glory. 

George  Frederick  Handel,  the  composer  of  the  “Mes¬ 
siah,”  was  born  in  Halle,  Germany,  Feb.  23,  1685.  He  was  educated 
in  Germany  and  Italy,  but  made  his  home  in  London  in  1710,  remain¬ 
ing  there  for  the  rest  of  his  life. 

From  1710  to  1741  he  was  busily  engaged  in  writing  secular 
mwsic  ;  after  this  he  devoted  himself  to  oratorios,  ‘  ‘  a  branch  of  art 
in  which  he  has  never  had  a  rival.  ’  ’ 

The  “Messiah”  is  the  tenth  in  the  list  of  his  oratorios.  “  It 
is  an  illustration  of  his  almost  superhuman  capacity  for  work  that  at 
the  age  of  56  years  he  should  have  written  his  masterpiece  in  23 
days,  ’  ’ 


“  GALLIA  ”  is  a  motet  into  which  the  composer  put  the 
strong  feeling  of  chastened  hope  of  his  nation,  following  the  Franco- 
Prussian  War.  The  great  soprano  solo  is  a  universal  favorite  wher¬ 
ever  sung.  No  such  composition  of  equal  merit  has  been  more 
widely  sung  or  more  deservedly  popular. 


Edward  MacDowell,  who  has  been  universally  recognized  as 
America’s  greatest  composer,  was  born  in  New  York  in  1861,  and 
died  in  that  city  Jan,  23,  1908.  The  untimely  passing  away  of  this 
rarely  gifted  musician  is  everywhere  lamented,  and  it  is  witn  the 
deepest  respect  to  the  memory  of  Mr,  Shirley’s  beloved  teacher 
and  friend  that  he  will  play  the  SECOND  CONCERTO  for 
pianoforte  at  the  Festival. 


Mendelssohn’s  music  to  the  “Midsummer  Night’s  Dream’ 
was  written  in  1843  at  the  request  of  the  King  of  Prussia.  The 
NOTTURNO  is  placed  at  the  end  of  the  third  act  when  Titama 
asks  for  “  Music,  ho  !  music  such  as  charmeth  sleep.”  The  WED¬ 
DING  MARCH  precedes  the  last  act,  wherein  are  celebrated  the 
three-fold  nuptials  of  Theseus  and  Hippolyte,  Lysander  and  Hermia, 
Demetrius  and  Helena. 


10 


The  opera  of  “Aida”  was  written  by  Verdi  at  the  special 
command  of  the  Khediv-e  of  Egypt,  and  is  one  of  the  few  instances 
of  a  real  success  under  such  circumstances.  The  scenes  are  Egyp¬ 
tian  and  the  coloring  of  the  music  strongly  oriental. 


Grieg’s  orchestral  suite  from  “PEER  GYNT  ”  contains 
selections  from  the  music  written  for  the  stage  performance  of 
Ibsen’s  play.  No.  1,  “  Morning”  is  chiefly  composed  in  a  pas¬ 
toral  strain.'  No.  2,  “The  Death  of  Ase,”  depicts  Peer  Gynt, 
lost  in  thought,  following  the  flight  of  his  wild  fancy  as  he  is  seated 
at  the  bedside  of  his  dying  mother,  unconscious  of  her  approaching 
death.  In  No.  3,  Anitra’s  Dance,”  the  scene  of  action  is  in  the 
Orient,  and  No.  4,  “  In  the  Hall  of  the  Mountain  King,” 
describes  the  moment  when  the  imps  commence  their  wild  chase 
after  Peer  Gynt,  whose  nightly  peregrinations  have  led  him  into  the 
subterranean  realms  of  the  mountain  king.  In  Grieg’s  death,  on 
September  4,  1907,  Scandinavia  lost  her  greatest  composer.  His 
works  are  not  only  beautiful  and  well  written  but  have  the  real 
Northern  flavor,  and  form  an  important  contribution  to  the  musical 
compositions  of  to-day. 


The  QUARTET  from  “  Rigoletto  ”  is  one  of  the  favorite 
opera  excerpts  that  pleases  whenever  heard.  “Rigoletto”  is  one 
of  Verdi’s  earlier  operas,  and  it  was  not  until  twenty  years  later 
with  “Aida”  that  he  reached  the  same  height. 


“  Lucia”  long  stood  as  Donizetti’s  masterpiece.  The  libret¬ 
to  by  Commanaro  is  founded  on  Scott’s  novel,  “  The  Bride  of  Lam- 
mermoor. ”  Donizetti  was  born  in  l79<S  at  Bergamo,  Italy,  and 
died  in  1848.  As  a  writer  of  Italian  o[)era  he  was  very  successful, 
and  “Lucia”  contains  some  (4  the  most  beautiful  melodies  its 
author  ever  produced. 


SPECIAL  NOTICE. 


The  concerts  will  begin  at  eight  o’clock,  and  the  doors  will 
then  be  closed,  not  to  be  reopened,  nor  persons  admitted,  until  the 
conclusion  of  the  opening  selection  ;  and  ushers  will  not  conduct 
ticket-holders  to  seats  during  the  performance  of  any  selection. 

There  will  be  a  short  intermission  at  each  concert.  Persons 
obliged  to  leave  the  hall  before  the  conclusion  of  any  concert  are 
requested  to  do  so  before  the  performance  of  the  final  nun-iber  or 
between  selections. 


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FIRST  CONCERT. 


WINSTON=SALEM  MUSIC  FESTIVAL 

FRIDAY,  MAY  22,  1908.  8  P.  M. 


Gallia.  Cantata  for  Solo,  Chorus  and  Orchestra . Gounod 

Miss  Antoinette  Glenn,  Soprano. 


Songs,  a.  ‘  ‘  Der  Doppelgaenger  ” . Franz  Schubert 

b.  ‘  ‘  Embarquez-vous  ” . Beiij.  Godard 

c.  ‘  ‘  The  Sea  ” . Edward-  MacDowell 

d.  ‘  ‘  Song  of  the  Sturdy  North  ” . Edward  Ger7nai2 

Mr.  Frederic  Martin. 

Violin  Solo.  Faust  Fantaisie . Sarasate 

Mr.  Robert  Roy. 

Salamaleikum.  Solo,  Chorus  and  Orchestra . . Lornehus 

Mr.  Martin. 


Songs,  a.  “  The  Lovely  Month  of  May” . Hammond 

b.  “Dearie.”  (Scotch)  . Oelmiler 

c.  “Proposal”  . . Hastings 

Miss  Glenn. 


Second  Concerto  for  Pianoforte  in  D  Minor.  Op.  23. .  .MacDowell 

Mr.  H.  A.  Shirley. 

Songs,  a.  “  Sing  Me  a  Song  of  a  Lad  That  s  Gone  Chas.  hiumhani 


b.  “  Cato’s  Advice  ” .  •  * 

c.  “  The  Pretty  Creature” . English 

Mr.  Martin. 

Orchestra.  Notturno  and  Wedding  March.  From  Music  to 

“  Midsummer  Night’s  Dream” . Mendelssohn 


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